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Sindh Censors Deny 'Ghost School' a Certificate, Banning It in the Film's Own Province

The term "Ghost School" refers to both a critical socio-political issue in Pakistan and an internationally acclaimed 2025 feature drama film directed by Seemab Gul that highlights this crisis. In reality, a "ghost school" is an official term for an educational institution that exists only on paper or has been completely abandoned; while the government continues to allocate monthly budgets for maintenance and teacher salaries, the funds are routinely siphoned off by corrupt local politicians or "ghost teachers" who get paid but never show up, leaving thousands of rural school buildings to fall into ruin or be repurposed as private cattle sheds. Gul’s film uses a blend of social and magical realism to explore this structural corruption through the eyes of Rabia, a precocious 10-year-old girl in a rural village who investigates why her school has suddenly been shut down under the local pretense that it is haunted by a Jinn. After earning widespread acclaim at major international festivals like the Toronto International Film Festival (TIFF) in September 2025 and the Berlin International Film Festival (Berlinale) in February 2026, the film recently sparked widespread controversy on August 4, 2026, when the Sindh Board of Film Censors denied it a screening certificate, declaring it "unsuitable for public screening" in the very province where much of the real-world crisis persists.

A young schoolgirl stands in front of a blackboard filled with Sindhi script in a still from the critically acclaimed Pakistani feature film 'Ghost School'. Seemab Gul/Cinelava

Seemab Gul's debut feature, which premiered at TIFF and screened at the Berlinale, cannot be publicly shown in the region whose education crisis it depicts

When a film draws global praise and still can't be shown where its story is set, the dissonance says more than any censor board ruling ever could.

Ghost School, the 2025 Pakistani drama written, directed, and produced by Seemab Gul in her feature debut, stems from her documentary background and personal encounters with abandoned schools in rural Pakistan. The Sindh Board of Film Censors has refused to grant the film a public exhibition certificate, calling it unsuitable for viewing. No specific reasons were cited. That silence is, in its own way, louder than a formal objection.

The film had its world premiere at the 2025 Toronto International Film Festival on 8 September. Its European premiere followed at the 76th Berlin International Film Festival on February 16, 2026, in the Generation Kplus section. It also screened at the Red Sea International Film Festival in December 2025. International audiences have seen it. Sindh, where the story originates, cannot.

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Set in a rural Pakistani village, the story follows ten-year-old Rabia, who discovers that the only school in her community has suddenly been shut down. Rumors spread that the building is haunted and that a jinn has possessed the teacher, but Rabia begins questioning those explanations as the adults around her offer evasive answers. The supernatural framing is deliberate. What Rabia actually uncovers is something far more banal and far more damaging.

A rural street scene in Pakistan captures a ten-year-old schoolgirl, Rabia, standing on the right and leaning forward to look directly into the eyes of a donkey hitched to a wooden cart. She wears a traditional dark red and cream school uniform with her hair styled in two long braids, carrying a large blue backpack. The decorated donkey faces forward on the left side of the frame, tethered to a yellow wooden flatbed cart heavily stacked with large, bound square bales of golden hay. The dusty, light-colored background suggests a village setting with faint structures and hanging textiles under overcast daylight.  Pakistani Drama 'Ghost School' Picked Up by MPM Premium.
Ten-year-old Rabia confronts a local donkey cart while navigating her village following the mysterious closure of her school. MPM Premium

"Ghost schools" are educational institutions that exist only in name, their buildings standing empty while corrupt officials pocket government funding and teaching salaries. An estimated 30,000 such schools are spread across Pakistan, with around 7,000 in Sindh alone. According to UNICEF, 25.1 million children in the country aged five to 16 do not attend school. The film turns those statistics into something visceral and personal through a child's eyes.

Gul conceived the project while traveling through Pakistan in late 2022, making short films for Greenpeace International about devastating floods that killed more than 1,700 people across Sindh and Balochistan. She has recalled encountering resistance from the start: "I came across many brick walls, with people either denying the existence of these schools, or telling me not to expose something that may shame Pakistan."

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Gul is a British-Pakistani filmmaker who grew up in Karachi and moved to the UK for her late-teen education. She holds a BA in Fine Art and an MA in Filmmaking from the London Film School. An alumna of Locarno Open Doors, Berlinale Talents, and the Venice Biennale College, she is known for the short film Sandstorm, which won 20 festival awards. She is currently developing an English-language feature with Film4.

Ghost School was largely self-funded and supported by grants, including a €25,000 completion grant from the MOIN Film Fund and additional post-production backing from the Red Sea Fund. French-based MPM Premium acquired its international sales rights before the Toronto premiere. For a modest debut, the trajectory has been remarkable.

A still image from the Pakistani feature film Ghost School (2025) shows a young girl named Rabia (played by Nazualiya Arsalan) peering out from behind a distressed blue metal door. Her dark hair is parted down the center and tied into two braids that rest over her shoulders, and she wears a cream-colored scarf around her neck. She has a serious, curious expression as she looks to the side. The bright, overexposed backdrop contrasts sharply with the weathered, peeling blue paint of the double doors, which feature a rusted sliding iron latch on the left panel. The composition frames her head in the narrow opening between the two heavy doors, creating a sense of hidden observation.
A young girl peeks through a weathered blue metal gate in a still from the film Ghost School. MPM Premium

Pakistan's censorship landscape makes this kind of ban structurally possible. Since the Eighteenth Amendment to the constitution, the federal Central Board of Film Censors has limited jurisdiction, with separate provincial boards in Punjab and Sindh handling their own territories. This fragmented system has resulted in unequal standards and variations of jurisdiction, with films sometimes passed in one province and disapproved in another. The Sindh board's decision on Ghost School does not automatically prevent screenings elsewhere in the country. But the province where the crisis is most acute is now the one place where the film cannot be seen.

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The ban has drawn public outcry over artistic freedom and perceived suppression of a documented social issue. Sindh itself recently moved to dismiss over 10,000 ghost employees from its School Education Department after they failed to justify prolonged absence. A film confronting the same dysfunction, it seems, is less welcome than the bureaucratic cleanup.

Gul has not yet publicly responded to the ruling. Given her track record, though, quiet is unlikely to be permanent.

Watch the 4K trailer for the film Ghost School on YouTube.

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