Skip to content

Pakistani Short 'The Last Glance' Eyes 2028 Oscars Path

Jury win at Seattle's sole Oscar-qualifying South Asian festival puts the drama in rare company among global shorts

A dimly lit, cinematic film still captured from inside a vintage automobile at night showcases a tense and suspenseful sequence. The focal point of the composition is a middle-aged South Asian man with a prominent mustache and an anxious expression, dressed in a light-colored button-up shirt, looking warily out the open driver-side window. A hand rests heavily on the car's window frame from the outside, belonging to an unseen figure standing in the darkness, hinting at an active interrogation or confrontation. In the foreground, the back of a young child's head with dark hair is visible, seated next to another partially obscured passenger on the left, capturing a quiet, stressful moment shared within the vehicle's cramped interior.

A tense midnight escape captured from inside a vehicle in 'The Last Glance'. Autumn Pictures

South Asian filmmakers keep finding new routes into the Academy Awards conversation through specialized festivals.

Kamran Faiq’s short The Last Glance just secured one of those paths. It won the Jury Award for Best Short at the 21st Tasveer Film Festival in Seattle. The event ran from October 13 to 18 and stands as the world’s only Oscar-qualifying South Asian film festival.

Faiq told Dawn’s Images that his film is the “only film that has qualified for the Oscars from Tasveer.” He added context on the scale. “Out of thousands of short films, only, I think, 200 qualify.” The win places The Last Glance on the longlist for the 2028 Academy Awards. Faiq was clear on the distinction. “This is not a nomination, but we’ve qualified.”

The 12-minute drama follows Barkaat, a man fleeing violence with his pregnant wife and young son. They reach a remote police checkpoint. A demand for loyalty forces a life-altering choice. The story draws from true events.

Advertisement

Advertisement

Adnan Shah Tipu leads as Barkaat. Areej Ayub and Fahad Hashmi co-star.

Faiq wrote, produced, and directed the film under Autumn Pictures. Umer Peerzada produced. Khalid Saeed Khan served as executive producer. Mike McNamara and Armeena Rana Khan joined as co-producers. Tipu, a veteran of Pakistani television and films including Dukhtar and Ramchand Pakistani, brings established screen presence to the lead.

A side-by-side cinematic split-screen composition from a dramatic short film depicting a distressed family amidst a crisis. On the left side, inside a dark vehicle, an elderly man with a prominent mustache and a khaki button-down shirt reacts in visible terror and anguish, his mouth open as if shouting. Next to him, a woman wearing a traditional white headscarf tightly embraces and comforts a young, crying child. On the right side, the same elderly man stands outdoors at night, his face illuminated by a warm, orange glow, staring blankly ahead with a hollow, devastated expression. In the blurred background behind him, a massive fire rages out of control, and a woman in a white headscarf watches him with a somber, mournful look. A distraught middle-aged Pakistani man with a prominent mustache and weathered features looks directly ahead with eyes full of anguish and grief, while a woman in a white headscarf stands crying behind him amidst a background of destructive fires. In the accompanying scene, the same man inside a dark vehicle desperately embraces and comforts a weeping young girl and the woman, capturing a moment of profound emotional trauma, terror, and imminent loss during a chaotic event.
A poignant double-frame sequence from the Pakistani short film The Last Glance, capturing a family's sheer terror and heartbreak during a devastating emergency. Autumn Pictures

The Tasveer victory builds on earlier festival success. The Last Glance took Best International Short Film at the Mosaic International South Asian Film Festival in Canada. It also advanced as one of eight finalists for the short film program at the Asian World Film Festival in Los Angeles. Those finalists came from more than 50 Asian countries.

Faiq has moved quickly through the industry. He became the youngest Pakistani professional to attend the Venice Film Market as a producer. His earlier shorts have collected multiple international prizes. This latest milestone arrives as Pakistani independent cinema seeks broader global visibility after years of limited distribution and infrastructure challenges.

Advertisement

Advertisement

The team already plans its next steps. “We’re in the process of getting an Oscar-nominated actor on board as an executive producer, who will be representing us next year at the Oscars,” Faiq said. That campaign will unfold through 2027 ahead of the 2028 ceremony.

Qualification opens doors but guarantees nothing. Hundreds of shorts reach this stage each cycle. Only a handful advance to nominations. Still, the Tasveer win marks a concrete advance for a Pakistani production on the awards circuit. Faiq and his collaborators now face the longer, more competitive phase of outreach and screenings.

For a national industry often overshadowed by larger neighbors, every qualifying festival award carries weight. The Last Glance turns a family story of flight and forced choice into an international calling card.

The months ahead will test how far that card travels.

Check topics and authors from this story to see more stories like this in your personalized feed and receive updates when new work is published.

Advertisement

Advertisement

Advertisement

PakistaniArt uses cookies to remember your preferences, keep the site running smoothly, and understand which stories our readers care about most. We never sell your data. See our Cookie Policy for exactly what we collect and why.