Jane Allan

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Nicholas Harding’s 2011 oil painting, Two Estuary Figures, showcases his signature impasto technique, characterized by thick, visceral layers of paint that create a tactile, three-dimensional surface. The work features two solitary, unselfconscious figures on a beach: one stands on the left with their back to the viewer, while the other on the right bends forward, appearing to explore the shoreline. Harding uses a rich, "lusciously viscous" palette of creamy whites, deep greens, and earthy browns to evoke the brilliant light and atmosphere of the Australian coast. The composition captures a profound sense of "being in nature," focusing on the unadorned presence of human forms within a rugged, textured landscape rather than direct interaction between the subjects. This specific small-scale work (20 x 25 cm) gained renewed attention in June 2026 when a larger winning entry at a prestigious art prize was identified as a "blatant copy" of Harding's original.

Jane Allan Stripped of Doyles Art Award After Painting Exposed as Copy of Nicholas Harding Work

An anonymous tip has upended the Gold Coast competition, raising pointed questions about originality checks and the vulnerability of volunteer-run art prizes across Australia

Kamil DadJUN 23, 2026

Latest in Jane Allan

ArtJUN 23, 2026

Jane Allan Stripped of Doyles Art Award After Painting Exposed as Copy of Nicholas Harding Work

Kamil Dad
Nicholas Harding’s 2011 oil painting, Two Estuary Figures, showcases his signature impasto technique, characterized by thick, visceral layers of paint that create a tactile, three-dimensional surface. The work features two solitary, unselfconscious figures on a beach: one stands on the left with their back to the viewer, while the other on the right bends forward, appearing to explore the shoreline. Harding uses a rich, "lusciously viscous" palette of creamy whites, deep greens, and earthy browns to evoke the brilliant light and atmosphere of the Australian coast. The composition captures a profound sense of "being in nature," focusing on the unadorned presence of human forms within a rugged, textured landscape rather than direct interaction between the subjects. This specific small-scale work (20 x 25 cm) gained renewed attention in June 2026 when a larger winning entry at a prestigious art prize was identified as a "blatant copy" of Harding's original.

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