Reviews

PakistaniArt publishes considered, independent takes on the work that matters. We review albums, exhibitions, films, books, and performances, assessed honestly, in full context, and without commercial pressure.

An stylized, graphic comic book illustration showcases Spider-Man mid-leap against a vibrant, purple-hued background with a half-tone pattern. In the center, Spider-Man is depicted in a dynamic, crouching aerial pose, cut out with a thick white border that separates his red-and-blue suit from the background. His suit features the classic webbed pattern and prominent white eye lenses. In the lower half of the image, the large, stylized 3D text "SPIDER-MAN" is rendered in a metallic blue, with the subtitle "BRAND NEW DAY" printed below it in a clean, white, sans-serif font. The background contains faint, layered imagery of cityscapes and a masked figure, all rendered in monochromatic shades of purple and blue with a distinct retro comic printing dot texture. Collage illustration by Awais Shaukat for PakistaniArt.

Brand New Day is The Best MCU Spider-Man Movie, But...

I watched Spider-Man: Brand New Day, and it exceeded my expectations. From Peter Parker's emotional growth to intense action, heartbreaking moments, and a memorable ending.

Elia RazaAUG 2, 2026
A heavily scarred, wide-eyed Aegon II Targaryen, portrayed by Tom Glynn-Carney, is shown hiding in disguise during his escape from King's Landing in House of the Dragon. He is wearing a dark, hooded teal-grey cloak over a patterned brown medieval robe. His face bears severe burn scars and disfigurement from the Battle of Rook's Rest. He grips the textured surface of a large, fallen moss-covered log or stone formation with both hands as he crouches low in a rocky, trench-like depression. His expression is one of sudden alarm and vulnerability as his eyes look upward and out of frame, scanning for potential threats. The background features a soft-focus forest with thin pine trees against a pale, overcast sky, establishing a bleak and tense outdoor environment. 

'House of the Dragon' S3E7 Has Sparked a Full Fandom Civil War

Sunfyre's return, Alicent's poisoning plot, and a brutal four-dragon brawl in the Vale have turned the penultimate episode into the most divisive hour of the series yet

Zoya Mahroosh ZulfiqarAUG 3, 2026

Latest in Reviews

TelevisionAUG 3, 2026

'House of the Dragon' S3E7 Has Sparked a Full Fandom Civil War

Zoya Mahroosh Zulfiqar
A heavily scarred, wide-eyed Aegon II Targaryen, portrayed by Tom Glynn-Carney, is shown hiding in disguise during his escape from King's Landing in House of the Dragon. He is wearing a dark, hooded teal-grey cloak over a patterned brown medieval robe. His face bears severe burn scars and disfigurement from the Battle of Rook's Rest. He grips the textured surface of a large, fallen moss-covered log or stone formation with both hands as he crouches low in a rocky, trench-like depression. His expression is one of sudden alarm and vulnerability as his eyes look upward and out of frame, scanning for potential threats. The background features a soft-focus forest with thin pine trees against a pale, overcast sky, establishing a bleak and tense outdoor environment. 
ReviewsAUG 2, 2026

Brand New Day is The Best MCU Spider-Man Movie, But...

Elia Raza
An stylized, graphic comic book illustration showcases Spider-Man mid-leap against a vibrant, purple-hued background with a half-tone pattern. In the center, Spider-Man is depicted in a dynamic, crouching aerial pose, cut out with a thick white border that separates his red-and-blue suit from the background. His suit features the classic webbed pattern and prominent white eye lenses. In the lower half of the image, the large, stylized 3D text "SPIDER-MAN" is rendered in a metallic blue, with the subtitle "BRAND NEW DAY" printed below it in a clean, white, sans-serif font. The background contains faint, layered imagery of cityscapes and a masked figure, all rendered in monochromatic shades of purple and blue with a distinct retro comic printing dot texture. Collage illustration by Awais Shaukat for PakistaniArt.

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