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An installation photograph from White Cube Paris showcases a rectangular, horizontally oriented figurative painting by Pakistani artist Suleman Aqeel Khilji. The artwork is mounted centrally on a large, pristine white gallery wall. Executed with a muted, warm palette dominated by earth-toned reds, terracottas, and hazy greys, the dreamlike composition depicts a woman with voluminous dark curly hair sitting behind what appears to be a counter or reflective surface. She wears a white, low-cut blouse or dress with dark trim along the neckline. The background features hazy vertical bands resembling curtains or architectural pillars, rendered in semi-translucent layers of pigment that evoke a sense of a faded memory or an excavated artifact. To the right of the canvas, a person wearing a black long-sleeved shirt and dark trousers stands on a polished concrete gallery floor, captured in motion blur as they look toward the left.

Suleman Aqeel Khilji Opens First White Cube Solo in Paris

A Pakistani painter whose figurative canvases excavate memory through layered pigment and Urdu script arrives at one of the art world's most prominent commercial platforms

Kamil DadJUN 11, 2026

Latest in White Cube

ExhibitionsJUN 11, 2026

Suleman Aqeel Khilji Opens First White Cube Solo in Paris

Kamil Dad
An installation photograph from White Cube Paris showcases a rectangular, horizontally oriented figurative painting by Pakistani artist Suleman Aqeel Khilji. The artwork is mounted centrally on a large, pristine white gallery wall. Executed with a muted, warm palette dominated by earth-toned reds, terracottas, and hazy greys, the dreamlike composition depicts a woman with voluminous dark curly hair sitting behind what appears to be a counter or reflective surface. She wears a white, low-cut blouse or dress with dark trim along the neckline. The background features hazy vertical bands resembling curtains or architectural pillars, rendered in semi-translucent layers of pigment that evoke a sense of a faded memory or an excavated artifact. To the right of the canvas, a person wearing a black long-sleeved shirt and dark trousers stands on a polished concrete gallery floor, captured in motion blur as they look toward the left.

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