
Ajea Zahid is an emerging Pakistani contemporary painter known for her figurative oil paintings that explore human experience, gendered spaces, and displacement. Born in Karachi and trained at the National College of Arts Lahore, she recently completed her MA at the Royal College of Art in London. Her gestural works blend observation and memory to create emotionally resonant narratives.
Ajea Zahid is an emerging Pakistani contemporary painter whose thoughtful figurative works capture the nuances of human experience, identity, and gendered spaces. Born in Karachi in 2000, she grew up in a naval family, experiencing frequent moves that instilled a deep sense of displacement and observation. Now based between Lahore and London, Zahid recently completed her MA in Painting at the prestigious Royal College of Art. Her oil paintings blend gestural expression with abstraction, creating intimate narratives that resonate with viewers on emotional and cultural levels.
Zahid was born in Karachi to a naval family, which meant a nomadic childhood across different cities in Pakistan. This constant movement shaped her sensitivity to place, belonging, and human interactions. She pursued her BFA in Painting at the National College of Arts in Lahore, graduating in 2024. During her undergraduate years, she balanced painting with work as an illustrator and character designer. This dual practice helped her develop a keen eye for narrative and form.
In 2025, Zahid moved to London to pursue her MA in Painting at the Royal College of Art. The program has allowed her to deepen her technical skills and engage with a vibrant international art community. Her time at RCA has marked a significant evolution in her practice, bringing greater maturity and confidence to her work.
Zahid's journey into painting began with digital media and illustration. She gradually shifted to oil painting, drawn to its materiality and the slow, tactile process it demands. Her works often start from quick sketches made during moments of observation or from memory. These sketches become the foundation for larger compositions that blur the line between reality and imagination.
Central to her practice is the exploration of mundane, everyday scenes infused with emotional depth. She pays close attention to gendered spatial dynamics, frequently reversing traditional roles. Women appear in outdoor settings, while men occupy domestic interiors, challenging societal expectations. Her muted color palettes and expressive brushwork create atmospheres of introspection, isolation, and quiet contemplation.
Zahid draws inspiration from her experiences of displacement and the human condition. Her figures exist in a space between the familiar and the unknowable. Works like "So Smug," "They’ve All Waited for Something That Never Happened," and "Swampy Afternoon" showcase her ability to capture fleeting moments with tenderness and psychological insight.
She has participated in notable exhibitions across Pakistan and internationally. These include shows at VM Art Gallery, Tanzara Gallery, Numaish Gah, Zahoor ul Akhlaq Gallery, Gallery 6, and O ArtSpace in Lahore. Abroad, her work has been seen at Frieze 9 Cork Street in London, The Art Den in Dubai, Muscat Art in Oman, Pristine Contemporary in India, and Untitled Art Miami Beach.
Zahid has received recognition from the Elizabeth Greenshields Foundation. Her involvement in projects like Our Shared Cultural Heritage highlights her interest in cross-cultural dialogue between the UK and South Asia. Critics praise her for bringing fresh perspectives to figurative painting within the contemporary Pakistani art scene.
As she completes her studies at the Royal College of Art, Zahid continues to evolve. Her practice remains rooted in curiosity about people and their environments. With a growing international presence, she stands out as one of the promising voices in Pakistani contemporary art, offering works that invite viewers to reflect on identity, gender, and the poetry of ordinary moments.
I approach the figure not as an idealised subject but as a place of contradiction, tender and brutal, rational and impulsive. It is an ongoing study of people, driven by curiosity about human behaviour and a recognition that we are capable of both the most beautiful and the most difficult things.
— Ajea Zahid