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Pakistani Animated Films: A Complete List

From the first feature to the latest upcoming releases, every animated film Pakistan has produced

A vibrant graphic banner celebrating Pakistani animated films against a textured red background with abstract geometric and grid patterns. Large, stylized white cutout letters stretching across the center spell out "ANIMATED FILMS," with portions of the text overlaid by various animated characters. The lower center of the banner prominently features the donkey protagonist from The Donkey King dressed in formal attire. To his left, a young boy with dark hair from Allahyar and the Legend of Markhor stands next to a light-colored markhor fawn. On the far right, a young man and a woman with her hair tied back face each other in a classic hand-drawn anime aesthetic from The Glassworker. The top portion features closely cropped grayscale cutouts of other animated characters, including a determined girl, a masked figure, and a boy with glasses, creating a dynamic collage of Pakistan's diverse animation industry.

A collaborative graphics banner showcasing a rich collage of characters from prominent Pakistani animated films. PakistaniArt

Pakistan's animation industry is young, but it has moved fast.

What started as an ambitious experiment in 2015 has grown into a small but genuine film category, with local studios tackling everything from political satire to climate change to stories about fatherhood.

This list covers every notable Pakistani animated film, feature, and short that has actually been released, plus the ones currently announced for the future. Entries are grouped by type and ordered by year of release so the progression of the industry is easy to follow.

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Year Title Type Director(s) Studio
2015 3 Bahadur Feature Sharmeen Obaid-Chinoy Waadi Animations, SOC Films
2016 3 Bahadur: The Revenge of Baba Balaam Feature Sharmeen Obaid-Chinoy Waadi Animations, SOC Films
2018 Allahyar and the Legend of Markhor Feature Uzair Zaheer Khan 3rd World Studios
2018 The Donkey King Feature Aziz Jindani Talisman Animation Studios
2018 Tick Tock Feature Omar Hassan S4 Solutions Productions
2018 3 Bahadur: Rise of the Warriors Feature Sharmeen Obaid-Chinoy Waadi Animations, SOC Films
2020 Sitara: Let Girls Dream Short Sharmeen Obaid-Chinoy SOC Films, Netflix
2020 Shehr e Tabassum Short Arafat Mazhar Puffball Studios
2020 Swipe Short Arafat Mazhar Puffball Studios
2023 Allahyar and the 100 Flowers of God Feature Uzair Zaheer Khan 3rd World Studios
2024 The Glassworker Feature Usman Riaz Mano Animation Studios
2026 (TBA) My Daddy My Superhero Feature Aziz Jindani, Zeeshan Karimi Talisman Animation Studios
TBA Under the Blaze Short Awais Shaukat Awartsy
TBA The Chronicles of Umro Ayyar Feature Arsalan Ali Ingenuity Productions

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Feature Films

3 Bahadur

A side-by-side promotional composite for the Pakistani 3D animated film 3 Bahadur. The left image is a dynamic action poster featuring three young superhero protagonists leaping forward against an explosive backdrop of blue electricity and bright orange flames. In the center, a energetic boy with a blue cap and green shirt raises his fist mid-air. To his left, a girl with long dark hair and a pink headband glides gracefully in a purple outfit, while to his right, a boy wearing glasses and an orange shirt propels forward with blue energetic sparks emanating from his hands. Below them, the title "3 BAHADUR" is written in a stylized, bold white font inside a metallic blue circular emblem, accompanied by the tagline "WITNESS THE BIRTH OF COURAGE." The right image portrays a contrasting atmospheric night scene showing the same three children from a back view, standing in a dimly lit, narrow alleyway. They are looking upward toward a tall, stone clock tower illuminated by glowing round clocks beneath a dark, cloudy sky. The alley walls are cast in deep blue shadows, with stylized Urdu graffiti visible on the right wall, evoking a sense of mystery and urban adventure.
The promotional poster and a cinematic nighttime scene from the animated feature film 3 Bahadur. Waadi Animations/ARY Films

Directed by Sharmeen Obaid-Chinoy and produced by Waadi Animations and SOC Films, 3 Bahadur is Pakistan's first full-length animated feature film.

The story follows three children, Kamil, Saadi and Amna, who stand up against a villain named Mangu after gaining superpowers to save their town, Roshan Basti, from his takeover. Obaid-Chinoy, already known internationally as Pakistan's first Oscar winner, described the project in personal terms, saying, "3 Bahadur is not just a movie. It is a movement."

Film Facts

  • Studio: Waadi Animations, SOC Films
  • Director: Sharmeen Obaid-Chinoy
  • Release date: 22 May 2015
  • Distributor: ARY Films
  • Language: Urdu
  • Notable: First full-featured animated film and installment of the 3 Bahadur franchise

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3 Bahadur: The Revenge of Baba Balaam

A vibrant, action-packed promotional poster features three young animated superheroes soaring through a bright blue sky filled with fluffy white clouds above a cityscape. In the foreground, a young boy with brown hair, glasses, and an orange shirt stretches his hand forward, emitting a glowing blue energy aura. To his left, another boy wearing a green shirt and a blue baseball cap smiles dynamically, accompanied by a bright green parrot mid-flight, while a metallic canister floats nearby. To the right, a girl with long brown hair and a pink outfit flies forward with an open, enthusiastic expression. A small brown dog leaps playfully in the background between the children. In the bottom left corner, the historic Merewether Clock Tower stands tall against the city skyline, and the official movie logo sits prominently at the bottom center, styled with a glowing red and blue number three over the words "BAHADUR: THE REVENGE OF BABA BALAAM."
Official theatrical poster for the animated movie 3 Bahadur: The Revenge of Baba Balaam. Waadi Animations/ARY Films

The trilogy's second chapter brought the same trio of children back to face a returning threat.

It served as the second installment in the franchise, continuing the same tone of a children's adventure wrapped around a message about standing up to corruption. The sequel retained Obaid-Chinoy's creative direction while expanding the voice cast with recognizable Pakistani names.

Film Facts

  • Studio: Waadi Animations, SOC Films
  • Director: Sharmeen Obaid-Chinoy
  • Distributor: ARY Films
  • Language: Urdu
  • Cast: Fahad Mustafa, Sarwat Gilani, Ahmad Ali Butt

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Allahyar and the Legend of Markhor

Allahyar and the Legend of Markhor, a 2018 Pakistani computer-animated film written and directed by Uzair Zaheer Khan, follows the heartwarming and adventurous journey of a young, mischievous boy named Allahyar who gains the extraordinary ability to speak with animals after rescuing a magical markhor named Mehru from ruthless poachers. Set against the backdrop of Pakistan's northern areas, the narrative chronicles the duo's dangerous trek toward the majestic Mount Sikander to reunite Mehru with her family, while relentlessly pursued by the sinister hunter Mani. Along the way, they form a close-knit alliance with a sassy snow leopard cub named Hero and a spirited chukar partridge named Chakku, learning profound lessons about friendship, environmental preservation, wildlife conservation, and the critical importance of coexistence between humanity and nature.
Allahyar and the Legend of Markhor promotional and movie stills featuring Allahyar, Mehru, Hero, and Chakku. 3rd World Studios

Directed by Uzair Zaheer Khan and produced by 3rd World Studios, this film is notable for being the first Pakistani animated movie produced entirely using Unreal Engine.

Set in the northern regions of Pakistan, it follows a young boy named Allahyar as he deals with circumstances tied to the preservation and illegal hunting of wildlife. The environmental message, paired with a visual style unusual for Pakistani animation at the time, made it stand apart from the comedy-driven tone of other local releases that year.

Film Facts

  • Studio: 3rd World Studios
  • Director: Uzair Zaheer Khan
  • Distributor: Mandviwalla Entertainment
  • Language: Urdu
  • Cast: Arieb Azhar, Natasha Humera Ejaz, Azfar Jafri

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The Donkey King

A side-by-side split screen image displaying promotional stills and poster artwork for the animated film, The Donkey King. The left panel depicts a scene set indoors where an elegant, slender orange fox character with large ears, sleek hair, and a scheming expression stands on the left in a dark burgundy and black dress, looking toward a gray donkey character. The donkey, dressed in a formal blue royal military uniform with gold epaulets, a white collared shirt, and a black necktie, wears a small gold crown tilted between his long ears and sits at a wooden dining table, staring wide-eyed and startled at a steaming plate of green broccoli and round meatballs served in front of him. The right panel shows the theatrical film poster where the same crowned donkey excitedly leans flat against a red patterned carpet, extending his massive gray hooves directly toward the foreground with a wide, toothy grin. Behind him in the palatial throne room backdrop, the orange fox stands triumphantly near a large golden throne holding a rope attached to the donkey, while a small green chameleon character peers out from the background shadows. The bottom of the poster features the bold, stylized title text "THE DONKEY KING" written in vibrant green and metallic gold lettering with a tiny crown resting over the word "The".
Promotional artwork and a movie scene from the Pakistani animated comedy film The Donkey King. Talisman Animation Studios

Directed by Aziz Jindani and produced by Talisman Studios, The Donkey King became the highest-grossing animated feature film in Pakistan.

The plot follows a lion ruler deciding that a donkey, rather than another predator, should take over as king of Azad Nagar when he retires. Jindani had been sitting on the concept for years before it reached screens; he revealed that he had the idea for the film since 2003 and began actual work on it in 2013 while still developing his Commander Safeguard animated series.

Of his intentions for the project, Jindani said, "Donkey King is an attempt to redefine the animation film genre in Pakistan."

Film Facts

  • Studio: Talisman Animation Studios
  • Director: Aziz Jindani
  • Release date: 13 October 2018
  • Distributor: Geo Films
  • Cast: Jan Rambo, Ismail Tara, Hina Dilpazeer, Ghulam Mohiuddin, Jawed Sheikh
  • Box office: Rs 40.20 crore (US$1.4 million)
  • Notable: Highest-grossing animated feature film in Pakistani history

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Tick Tock

Animated characters pose heroically in a dramatic movie poster alongside a close-up of a determined man in a red polo. An official movie poster for the animated film Tick Tock: The Future is History dominates the left side of the frame, showcasing four stylized characters standing under a golden, radiant sky where a massive celestial body looms overhead. In the foreground, a young boy in a white collared shirt and black trousers holds an action-ready stance, while to his left, a short-haired girl in a black-and-white dress smiles confidently with her arms crossed. Behind them stand two adult men—one in a bright red polo shirt and tan trousers, and another in a dark blue shirt—while the iconic Minar-e-Pakistan monument stands prominently in the background amidst a gleaming cityscape. The film title "TICK TOCK" is boldly displayed in metallic lettering at the bottom with the tagline "THE FUTURE IS HISTORY." The right side of the image features a separate, close-up shot of the man in the red polo and khaki pants, capturing his intense, angry facial expression as he raises his arm against an outdoor architectural background under a clear blue sky.
Tick Tock poster and film still. S4 Solutions

A family-friendly animated film directed by Omar Hassan and produced by S4 Solutions Productions.

Tick Tock blends adventure and comedy, featuring popular actors like Ahsan Khan, Alyy Khan, and Maria Memon, and marking a new direction for Pakistani animation by incorporating live-action elements. That hybrid approach set it apart from the fully animated releases dominating the same year, giving it a distinct identity even if it didn't match the commercial reach of its competitors.

Film Facts

  • Studio: S4 Solutions Productions
  • Director: Omar Hassan
  • Distributor: Hum Films
  • Language: Urdu
  • Cast: Ahsan Khan, Alyy Khan, Maria Memon

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3 Bahadur: Rise of the Warriors

The image features promotional and cinematic stills from the Pakistani 3D animated film 3 Bahadur: Rise of the Warriors, showcasing a vibrant collage of its main characters and high-stakes action. On the left side, a theatrical poster brings together the core ensemble against a swirling, cosmic backdrop: the three young protagonists—Saadi wearing his signature glasses, Amna smiling in her purple attire, and Kamil pointing forward energetically in his green cap—stand determined alongside their powerful mentor Deenu and the red-haired warrior Queen, while menacing antagonists and a small, jester-like monkey creature loom around them. The right side presents a dramatic close-up from a sequence within the movie, focusing on the same red-haired warrior queen looking ahead with a wide-eyed expression of shock or intense realization, while the small monkey-like character clings closely to her shoulder with an equally anxious, concerned gaze, highlighting the film's detailed animation style and emotional intensity.
Promotional and cinematic stills from the animated movie 3 Bahadur: Rise of the Warriors. Waadi Animations/ARY Films

This was the third and last installment of the franchise, closing out the trilogy that effectively launched feature animation in Pakistan. It kept the same creative team and studio partnership, giving the series a consistent visual identity across all three films even as the production landscape around it got more competitive.

Film Facts

  • Studio: Waadi Animations, SOC Films
  • Director: Sharmeen Obaid-Chinoy
  • Distributor: ARY Films
  • Language: Urdu

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Allahyar and the 100 Flowers of God

Allahyar and the 100 Flowers of God is an acclaimed Pakistani 3D animated science-fiction action-adventure film directed by Uzair Zaheer Khan. Serving as a direct sequel to the 2018 hit Allahyar and the Legend of Markhor, the movie follows the brave young protagonist, Allahyar, alongside his loyal friend Hero (a quirky chukar partridge), as they travel to a technologically advanced, futuristic alien world to rescue Allahyar's father from a looming mechanical threat. Melding vibrant visual storytelling with a poignant environmental message, the plot centers on the critical importance of preserving trees and renewable energy, while addressing modern themes like artificial intelligence, robotic automation, and corporate overreach. Produced by 3rd World Studios, the feature showcases groundbreaking local animation techniques and stars a talented voice cast including Ali Zafar, Humayun Saeed, Iqra Aziz, and Meera, capturing the hearts of families and elevating the landscape of South Asian animation.
Animated sci-fi characters stand against a futuristic backdrop and a rustic industrial alleyway. 3rd World Studios

A sequel to the 2018 film Allahyar and the Legend of Markhor, this installment again came from 3rd World Studios, with voices supplied by Ali Zafar, Iqra Aziz, Humayun Saeed, Meera, and Bushra Ansari.

The story follows Allahyar and his friend Hero as they travel to a new world to rescue his father from tree-poaching robots, continuing the original's environmental themes. The production also carried a technical first for Pakistani cinema: it was billed as the first-ever Pakistani stereoscopic 3D film.

Film Facts

  • Studio: 3rd World Studios
  • Director: Uzair Zaheer Khan
  • Release date: 28 June 2023
  • Distributor: Mandviwalla Entertainment
  • Cast: Ali Zafar, Iqra Aziz, Humayun Saeed, Meera, Bushra Ansari

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The Glassworker

A side-by-side promotional image for the animated film "The Glassworker," featuring a dramatic theatrical poster on the left and an emotional character close-up on the right. The left section showcases a collage of characters against a golden sunset sky filled with dozens of military propeller planes flying in formation; a stern, bearded military officer in a green cap dominates the top left, while a young man with brown hair and a young woman with vibrant orange hair look off-screen with expressions of concern and wonder. Below them, other characters are depicted, including a man with glasses and a mustache, all positioned above a brick building labeled "Oliver Glass" with the stylized film title "THE GLASSWORKER" rendered in a elegant serif font across the bottom. The right section features a bright, sunlit scene where the same young brown-haired boy, wearing a cream shirt with red suspenders, reaches out to gently grasp the arm of the orange-haired girl, who wears a teal vest over a white blouse and a light blue bow headband. She turns back toward him with a look of surprise and hesitation, set against a sparkling blue sea and a bright, cloudy sky that enhances the hand-drawn, Ghibli-esque animation style.
A promotional feature showcasing the characters and striking hand-drawn art style of the animated feature film The Glassworker. Mano Animation Studios

Usman Riaz spent roughly a decade building this film from scratch, and the result is unlike anything else on this list.

It looks and feels like a distant cousin to a Studio Ghibli film, but it's actually the first fully hand-drawn animated feature created in Pakistan. Riaz co-founded Mano Animation Studios, the country's first dedicated hand-drawn animation facility, with his wife Mariam Paracha and his cousin Khizer Riaz serving as CEO.

Reflecting on why he started the studio, Riaz said, "I realized there must be many people like me who loved animation but worked on their own." The film also made history on the awards circuit, becoming the first Pakistani entry long-listed at the 97th Academy Awards.

Film Facts

  • Studio: Mano Animation Studios
  • Director: Usman Riaz
  • Release: Premiered in NYC and Toronto theaters on August 15, with a wide release on September 5
  • Distributor: Geo Films
  • Cast: Art Malik, Sacha Dhawan, Anjli Mohindra, Tony Jayawardena
  • Notable: First fully hand-drawn animated feature made in Pakistan; longlisted for the 97th Academy Awards

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Short Films

Sitara: Let Girls Dream

A side-by-side composite image featuring promotional and scene visuals from the animated short film Sitara: Let Girls Dream. The left half showcases the official film poster, dominated by the profile of a young girl facing left, adorned in a vibrant red, patterned traditional veil or dupatta that cascades down to form a large triangular silhouette. Within this draped veil, a darker silhouette reveals two young children playing on a rooftop against a nighttime city skyline under a deep blue sky featuring a flying paper airplane and the stylized title text "SITARA" in golden-yellow font with a star emblem. The right half displays a brightly lit production still featuring three characters inside a decorated setting adorned with warm, festive string lights. On the left, an older man with a thick grey beard and wearing a patterned olive-green tunic leans forward while gently holding a folded white paper airplane. To the right, a young girl with short dark hair tied in a small ponytail wears a bright yellow outfit and looks upwards with an anxious, melancholic expression, while a slightly older boy in a matching yellow tunic stands closely behind her with a solemn, supportive gaze.
A composite showcase of the poster and an emotional scene from the animated short film Sitara: Let Girls Dream. Waadi Animations

This short tells the story of Pari, a 14-year-old girl who dreams of becoming a pilot while growing up in a society that doesn't allow her to dream.

Released through Netflix and SOC Films, it focuses on the social issue of child marriage, giving Obaid-Chinoy a second animated outlet for themes she had previously explored through documentary filmmaking.

Film Facts

  • Studio: SOC Films, Netflix
  • Director: Sharmeen Obaid-Chinoy
  • Runtime: 15 minutes
  • Platform: Netflix
  • Notable: Addresses child marriage and the limits placed on girls' ambitions

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Shehr e Tabassum

An atmospheric and dystopian digital art illustration divided into two main sections, depicting a grim, neon-lit cyberpunk future. On the left, several animated male figures with pale bluish-green skin are shown under a dark sky filled with vertical rows of glowing white dot matrix lights. The characters wear black high-collared electronic harnesses around their necks, which project a translucent cyan-colored digital screen upwards, mapping forced, unnatural smiles onto their faces while their real expressions remain hidden or blank. In the foreground, a man with short dark hair smiles stiffly as he holds his hands up as if dancing or moving rigidly, while behind him, another figure walks by against a dark backdrop with hints of distant industrial structures. The right third of the frame acts as a theatrical poster overlay, dominated by a large, close-up portrait of a distressed man with a mass of red hair tied up, wearing a similar glowing headband and neck restraint. His face is illuminated in a sickening cyan hue, revealing heavy under-eye bags and a deeply solemn, unsmiling expression that contrasts sharply with the forced happiness elsewhere. Below his face, the crimson-hued lower section features the text "a film by Arafat Mazhar," while the title "Shehr e Tabassum" is written in an elegant white font near the top right corner.
A striking promotional split-screen from the cyberpunk animated film Shehr e Tabassum. Puffball Studios

Directed by Arafat Mazhar for Puffball Studios, this short imagines a very different Pakistan decades from now.

It is a sci-fi film set in Pakistan in 2071, and according to the studio's own framing, it uses that future setting to comment on surveillance and technology in ways a straightforward drama couldn't easily manage. An exact public release date for the short isn't widely documented, so it's best treated as part of Puffball Studios' early slate rather than tied to a specific year.

Film Facts

  • Studio: Puffball Studios
  • Director: Arafat Mazhar
  • Language: Urdu, English

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Swipe

A split image showcases stylized animated characters from the short film "Swipe," directed by Arafat Mazhar. On the left side, an open-air cafe scene unfolds where a large woman in a purple dress aggressively gestures towards a seated, slender man holding an empty bowl, while a young boy at the table distracted by a device and a small child standing nearby observe the tension. The right side features a vertical composition serving as a title card or poster, depicting a young boy crouched low in a dimly lit, green-hued setting, completely engrossed in his smartphone screen beneath a spinning exhaust fan and the stylized text "SWIPE DIRECTED BY ARAFAT MAZHAR."
An animated poster for the Pakistani short film "SWIPE," directed by Arafat Mazhar. Puffball Studios

The second of Mazhar's shorts for Puffball Studios takes a much more satirical angle. It centers on the addiction to an app called iFatwa, poking at how quickly technology and religious authority can become intertwined in everyday life. Like its companion short, the exact release window remains unconfirmed in public records.

Film Facts

  • Studio: Puffball Studios
  • Director: Arafat Mazhar
  • Language: Urdu
  • Notable: Satirical short about compulsive use of a fictional religious app

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Upcoming Films

My Daddy My Superhero

An animated movie poster and still feature a father in a superhero suit carrying his son on his back. In the poster on the left, titled "My Daddy My Superhero," a man with styled brown hair, wide eyes, and a broad smile wears a red costume with yellow sleeves, a yellow cape, and a prominent yellow emblem on his chest. His young son, with black hair and large brown eyes, tightly hugs his father's shoulders from behind while wearing a blue long-sleeved shirt. The father raises his right fist in a heroic pose against a bright blue sky filled with fluffy white clouds, with a tropical island visible in the background below them. On the right, a movie still captures the pair soaring through the sky at a dynamic angle, with the son grinning happily as he clings to his flying father against a backdrop of soft white clouds and green trees far below.
A father and son soar through the sky in a vibrant superhero adventure. Geo Films/Talisman Studios

This one has had a bumpier road to release than any other film on this list.

Announced by the makers of The Donkey King with a teaser featuring the voice of Fahad Mustafa, it was co-produced by Talisman Animation Studios and Geo Films and originally planned for worldwide theatrical release in 2025. That timeline slipped. The film was postponed in 2025 to a summer 2026 release, and director Aziz Jindani has since said the release has been pushed again to the end of 2026.

As of the most recent update, roughly 80 percent of production is finished, with post-production running in parallel.

Film Facts

  • Studio: Talisman Animation Studios, Geo Films
  • Director: Aziz Jindani, Zeeshan Karimi
  • Cast: Fahad Mustafa
  • Status: In production, targeting late 2026

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Under the Blaze

A side-by-side promotional and concept art compilation for the animated film Under the Blaze. The left half features the movie's official poster, showcasing a wide landscape of a rural field with stacks of harvested crops under a bright, clear sky. A lone young man stands in a dirt path wearing a sleeveless white shirt and dark pants, looking toward a smoking brick chimney or tower in the far distance. The top left corner features the stylized title "Under the Blaze" and lists production credits like director Awais Shaukat. The right half of the image presents rough, hand-drawn character sketches in blue ink on lined notebook paper, showcasing a close-up portrait of a younger boy alongside a detailed sketch of an older, mustachioed man with short, messy hair and a buttoned shirt.
Promotional poster and character concept sketches for the animated film Under the Blaze. Awartsy/Awais Shaukat

Directed by Awais Shaukat and produced by Awartsy, Under the Blaze addresses the issue of child labor in Pakistan's brick kilns, aiming to raise awareness through powerful storytelling and visually striking animation. It's a smaller-scale project than most entries here, built as a hand-drawn 2D animated short rather than a theatrical feature, which fits a subject matter better suited to a focused, issue-driven format than a sprawling franchise.

Film Facts

  • Studio: Awartsy
  • Director: Awais Shaukat
  • Format: Hand-drawn 2D short film
  • Language: Urdu
  • Notable: First Pakistani animated project built around the issue of child labor in brick kilns

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The Chronicles of Umro Ayyar

An animated poster for The Chronicles of Umro Ayyar displays five stylized characters sliced vertically in a dark teal mist on the left, next to a close-up profile of the titular protagonist on the right. Smirking under a golden turban pinned with a large red ruby, the central trickster holds out his hand to levitate a glowing crimson magical artifact shaped like an organic heart. To his side, the split banner showcases an array of fantasy figures from his legendary Urdu folklore adventures, including a stern warrior in a red hood, a wide-grinning companion, a youthful ally, a focused youth, and a fierce female warrior, all anchored by the movie's glowing gold, ornate title text written across the lower left quadrant.
The Chronicles of Umro Ayyar promotional poster. Ingenuity Productions

Based on the legendary character Umro Ayyar from South Asian folklore, this film promises an adventurous tale filled with magic, mystery, and action, directed by Arsalan Ali and produced by Ingenuity Productions.

It remains one of the more ambitious announced projects on this list simply because of the scale of the source material, a centuries-old trickster-hero epic that has never been adapted into animation before in Pakistan.

Film Facts

  • Studio: Ingenuity Productions
  • Director: Arsalan Ali
  • Status: In development, release date to be announced
  • Language: Urdu

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Frequently Asked Questions

What was the first Pakistani animated film?

3 Bahadur, directed by Sharmeen Obaid-Chinoy and released on 22 May 2015, was Pakistan's first full-length animated feature film. It followed three children who gain superpowers to save their fictional hometown of Roshan Basti from a villain named Mangu.

Which Pakistani animated film made the most money?

The Donkey King, directed by Aziz Jindani and released in 2018, is the highest-grossing Pakistani animated film ever, earning Rs 40.20 crore (approximately US$1.4 million) at the box office.

Has any Pakistani animated film been nominated for an Oscar?

No Pakistani animated film has received an Oscar nomination, but The Glassworker made history by becoming Pakistan's first animated film to be longlisted at the 97th Academy Awards — in both the Best Animated Feature and Best International Feature Film categories.

What is the best Pakistani animated film?

The Glassworker, directed by Usman Riaz, is widely regarded as the most accomplished Pakistani animated film to date. It is the country's first fully hand-drawn animated feature and the first Pakistani animated film to qualify for Oscar consideration.

Who is the most prominent director in Pakistani animation?

Sharmeen Obaid-Chinoy has the largest footprint, having directed all three films in the 3 Bahadur franchise. Usman Riaz, director of The Glassworker, has earned the most international attention of any Pakistani animation filmmaker to date.

Is Pakistani animation still active or has it slowed down?

The industry is still active. At least two animated features are currently in production or development — My Daddy My Superhero from Talisman Animation Studios and The Chronicles of Umro Ayyar from Ingenuity Productions — alongside several short films in various stages of completion.

Which Pakistani animated film was the first to use Unreal Engine?

Allahyar and the Legend of Markhor, directed by Uzair Zaheer Khan and released in 2018, was the first Pakistani animated feature built entirely using Unreal Engine, giving it a visual style that stood apart from other local productions at the time.

What was Pakistan's first stereoscopic 3D animated film?

Allahyar and the 100 Flowers of God, the 2023 sequel from 3rd World Studios, holds that distinction. Directed again by Uzair Zaheer Khan, it was billed as the first Pakistani film to use stereoscopic 3D technology.

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ANOUSHAY TARIQ

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