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First Trailer Arrives for Andrew Haigh’s ‘A Long Winter’

MUBI unveils a look at the 1950s Colorado family drama after Telluride and Toronto buzz, with Kit Connor and Fred Hechinger leading the cast toward January theatrical dates

A medium shot captures actor Fred Hechinger as Mike sitting at a rustic wooden dinner table inside a dimly lit cabin kitchen, glancing over his shoulder with an intense, wary expression. He wears a brown, beige, and white plaid flannel shirt and holds a fork in his hand over a ceramic plate, while a half-empty glass of water sits next to a wooden cutting board with sliced bread nearby. The background is softly blurred, revealing a vintage white kitchen cabinet unit and a dark stove cast in shadows, emphasizing the somber and rustic 1950s period setting.

Fred Hechinger as Mikey in a scene from the drama film 'A Long Winter'. MUBI

Indie dramas often find their footing in the gap between festival premieres and wide release. That window just narrowed for one long-awaited project. MUBI dropped the first trailer for Andrew Haigh’s A Long Winter.

The clip captures tender laughs mixed with tense faces. Characters push through deep snow and icy water in remote mountain settings. It stars Kit Connor as Tommy alongside Fred Hechinger, Ebon Moss-Bachrach, Caitríona Balfe and D’Pharaoh Woon-A-Tai.

Haigh adapted the film from a Colm Tóibín short story. The story sits in the early 1950s Colorado mountains as a family braces for winter. Hechinger plays Mike, whose world shifts when his mother Louise vanishes into a storm. Moss-Bachrach portrays the father, Lester. Connor’s Tommy heads off to the Korean War. Balfe appears as the restless Louise. Woon-A-Tai rounds out key supporting turns.

Fred Hechinger as Mike and Ebon Moss-Bachrach as Lester navigate the dense, unforgiving pine forests of a remote mountainous region in a tense cinematic still (left) from director Andrew Haigh's A Long Winter, juxtaposed with a striking, top-down bird's-eye perspective (right) showing Mike bundled in a heavy, fur-lined winter parka as he remains buried up to his chest in a deep, stark white blanket of snow.
Fred Hechinger and Ebon Moss-Bachrach in A Long Winter. MUBI

This project sat with Haigh for nearly two decades. He first read the Tóibín piece around its 2006 publication, before directing any features.

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“Within that story was everything I wanted to make films about,” Haigh has said. Early attempts set it in Spain. Financing never clicked then. Success with All of Us Strangers finally unlocked it. He relocated the action to the American Rockies.

Haigh shot the film on location in Alberta, Canada, near spots used for The Revenant. He has called his take “my version of The Revenant — a slightly more delicate version.” Cinematographer André Turpin handled the visuals. The result leans into isolation and quiet emotional shifts.

All of Us Strangers earned Haigh six BAFTA nominations. Earlier works like 45 Years and Weekend built his reputation for intimate character studies. A Long Winter continues those threads of loss, longing and self-discovery. Haigh later linked the film to personal grief after his father’s death.

“I think in a weird sense, I look at A Long Winter and think, ‘Oh, I think that is a sort of conversation with myself about that event somehow,’” he told TheWrap.

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An overhead close-up shot shows actor Fred Hechinger as Mike lying flat on his back against a vast, pristine blanket of blue-tinted snow in the dramatic film A Long Winter. He is wearing a heavy, rustic winter coat with a thick, dark fur collar that frames his face. His head is tilted directly up toward the camera, and his slightly messy dark hair spreads out beneath him on the frozen ground. His expression is one of vulnerable quietude, capturing the raw pain and deep isolation of a young man processing profound grief and navigating an unforgiving winter landscape. An overhead close-up shot captured from a high-angle perspective shows a fair-skinned young person with messy, dark brown hair lying flat on their back on a vast, seamless field of pale blue-white snow, staring directly up into the camera with an intense, wide-eyed gaze. Their head is positioned at the lower center of the frame, inverted from the traditional orientation, with their body extending toward the top. The individual wears a heavy, dark winter cloak with a thick, textured grey and brown fur collar that frames their neck and shoulders, contrasting sharply against the smooth, uniform surface of the snow. The lighting is cold, diffused, and somber, casting soft shadows across the person's face, highlighting their youthful features and the subtle freckles across their nose and cheeks, emphasizing the quiet, atmospheric, and desolate stillness of the frozen landscape.
Fred Hechinger stars as Mike in Andrew Haigh's period drama A Long Winter. MUBI

Hechinger steps into a lead after strong supporting work. Moss-Bachrach brings the grounded intensity familiar from The Bear. Balfe, known for Outlander and Belfast, draws early praise for her role. Connor arrives fresh from Heartstopper and Warfare, reuniting with Woon-A-Tai from the latter. Martin Freeman also appears.

The film premiered at Telluride in early September. It then played Toronto and the New York Film Festival.

Reviews flagged the performances and Haigh’s restrained style. Some noted awards potential in the acting and adapted screenplay categories. It screens at the London Film Festival around the trailer launch.

MUBI developed and co-financed the picture with Film4. Producers include Tristan Goligher of The Bureau plus Chad Oakes and Mike Frislev of Nomadic Pictures. The distributor plans UK and Ireland cinemas for January 15. US and Canada dates follow on January 22, with a limited New York bow earlier in December. Other markets arrive in February.

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Social chatter around the trailer stays focused on the cast and snowy visuals. Heartstopper fans zeroed in on Connor’s scenes. No major backlash or leaks surfaced. The drop simply builds anticipation for Haigh’s next chapter.

Theatrical runs will test whether the intimate scale connects beyond festivals. MUBI has grown its awards muscle in recent years. A strong campaign could keep A Long Winter in the conversation through early 2027. Haigh has framed the film as a bookend to themes from the past 15 years of his work. What follows remains open.

The trailer offers the clearest view yet of this long-gestating story.

A LONG WINTER | Official Trailer | Coming Soon

Watch the official trailer for the film A Long Winter in 4K quality on YouTube.

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